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Color Negative Vs. Color Transparency

Color negative film and its grain structure require a high resolution scan to duplicate a natural result. Color transparency film is much less dependent on scanning resolution for smooth enlargement. At certain scanning magnifications, negative films (especially color) exhibit a phenomenon similar in appearance to increased grain. This is due to the aliasing between the randomized organic film grain and the structured grid of pixels. The effect is comparable to a Moiré pattern. For negative film, a sampling rate of 8000 per inch is highly recommended. This resolution will accurately describe the grains/dye clouds, thus avoiding aliasing. The alternate color negative Section B from the same negative shows more of the effect in the midtones and how grain aliasing can vary within a single scan due to different grain sizes in different densities.

Section A

The top row contains sections of the original 8000 spi scans. Underneath are downsamples directly from the 8000 spi scan.

All sections are unsharpened and unfiltered.

All sections are displayed at actual pixel size.

Kodak Royal Gold RA100 scanned at 8000 spi

Kodak Kodachrome KR64 scanned at 8000 spi

RA100 downsampled to 4000 ppi

KR64 downsampled to 4000 ppi

RA100 downsampled to 2000 ppi

KR64 downsampled to 2000 ppi

Kodak 35mm RA100 Royal Gold 100 Color Negative Film Drum Scan 8000 spi dpi
Kodak 35mm KR64 Kodachrome 64 Color Transparency Chrome Film Drum Scan 4000 spi dpi
Kodak 35mm RA100 Royal Gold 100 Color Negative Film Drum Scan 4000 spi dpi
Kodak 35mm KR64 Kodachrome 64 Color Transparency Chrome Film Drum Scan 8000 spi dpi

Neg Vs.

Chrome

ColorNegativeA1a1a1a

B&W

Negative

ColorNegativeA1a1b1

Resolution Comparisons

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Technical Information

Rates & Sizes

Contact

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e

Color

Negative

Color

Transparency

ColorNegativeA1b1
ColorNegativeA1a2a
Kodak 35mm RA100 Royal Gold 100 Color Negative Film Drum Scan 2000 spi dpi
Kodak 35mm KR64 Kodachrome 64 Color Transparency Chrome Film Drum Scan 2000 spi dpi